Choral Prelude “Ich ruf zu Dir, Herr Jesu Christ,” BWV About the Work. Bach/ Busoni Composer: Bach/Busoni. Past Performances. Washington Performing. Check out Chorale Prelude Ich ruf zu dir, Herr Jesu Christ, BWV ( transcription by Ferruccio Busoni) by Vahan Mardirossian on Amazon Music. Stream. Check out Bach – Busoni: Ich Ruf Zu Dir, Herr Jesu Christ Bwv by piano Franco Di Nitto on Amazon Music. Stream ad-free or purchase CD’s and MP3s now.

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Cantata BWV – Discussions Part 1

Discussions in the Week of June 23, 1 st round. I am not going to analyse the mvts, nor the achievement of the singers within the known spectrum neither remarkably good nor badI only want to share some things I heard Tonmalerei.

And as always the combination of solo violin 2 oboes with strings and bc is irresistible With the words of the chorale foremost in his mind, he would reduce or distill the entire text to arrive at a pregnant motif where the musical essence of the idea is expressed in a succinct form, from which the entire composition could evolve. This page was last edited on 11 Augustat Thomas Braatz wrote June 28, From Wikipedia, the free encyclopedia. Its text somewhat reflects the Gospel, Luke 6: When Bach made use of Agricola’s hymn it had presumably been used in worship for almost two hundred years and, as your p.

As I am still convinced until further teaching shows Their performances are characterised by the enthusiasm of pioneers.

Ich ruf’ zu dir, Herr Jesu Christ, BWV 639

If this is the only recording of this cantata that you have, use your imagination to conjure up the strong fervency which this mvt. The fourth, by Ramin, is the first recording of this cantata. William Rowland Ludwig wrote July 4, Than enters Schreier, his singing is full of confidence and happiness. Cantata BWV – Commentary.


The reformed church was represented by only 30 psalm chorales and from the Lutheran region only 23 among which the contributors were M. In this case, and with a variation of the hymn-tune, he or she asks God not to let him or her be mocked, not to build all her hopes on his good acts, for chhrist may lead her to eternal regret.

The Formula of Concord attributes the extreem response to the so-called antinomian position, i. It is supposed to fill up the gap in the choral-canatatacycle of What Bach made of this hymn – how his music interprets the text -is a topic that interests me and to which I hope to return, and I would be grateful for any illumination that may be provided by those who have far more expertise in theology and music than I have.

This sequence is repeated dur more before being developed with shorter quotes from this sequence. In attempting to make music become more like speech, Harnoncourt chooses to emphasize the stronger accents and frequent breaks that one would hear in everyday speech and not the singing style of elevated speech that had been used for centuries in projecting ideas and emotions to an audience without the usual modern means of amplification.

It looks to me like Martinus Agricola would be a much jdsu candidate as hwrr the real author rather than Johann who seems to have written only one chorale text that happened to be published in Martin Luther ‘s collection, but then was removed because it was inferior. It is also more homogeneous; the different voices are harder to follow; the violin playing is a part of the whole rather than independent.

It is probable that Hemmel accepted the melodies along with the texts for those hymns supplied by M.

Thomas Braatz wrote June 30, Aryeh Oron wrote June 23, The chorale then confirms the resolution of these problems with strong feeling and conviction.

Rilling [3]Leusink [6]Harnoncourt [4]Ramin [1] As always, I would like to hear other opinions, regarding the above mentioned performances, or other recordings.


Dutch translation of this hymn in three verses by J. The form of a prayer is kept, but the dangers are all hypothetical f. The choir singing is also much better on the expressive side than choir sound, which is inhomogeneous, lacking cohesiveness, almost unforgivable in modern fir. I find this approach less appropriate to convey ih the message, and therefore less heart-rending. Cantata BWV – Provenance. This conflict was finally ‘settled’ what an overstatement by the lutheran Formula Concordiae of It is bad enough that he has attempted to fracture the strength that Bach had built into the opening mvt.

It also happened when I read the text is the difficulty in getting the predominant atmosphere of the cantata. This complete identification with the role carries over to the audience, which, if this audience is normally perceptive and emotionally responsive will easily detect whether any actor is not comfortable on stage insufficient experience, lack of empathy for the role, etc.

While this is taking place, the 2 nd oboe drops down a duf 3 rd from its first note. There are a few redeeming qualities in listening ivh this version such as to gain a historical perspective and come to terms with this performance style that was probably used for most of the 19th and 20th centuries. Blume Geschichte der evg. The ensuing aria starts with joyful playing of the violin and the bassoon.

Despite the slow tempo there is an inner force that makes the choir sound as though it is thoroughly committed to singing the music from the heart. First of all, there are a number of Johann Agricolas associated with music not to mention Agricolas with other first names: